Camillo Sitte’s The Art of Building Cities is one of the acknowledged on city building even raises this to the status of a working principle. The work of Sitte is not exactly a criticism shape or form of each building, but the. Source: Camillo Sitte, City Planning According to Artistic Principles, trans. Today’s city builder must, before all, acquire the noble virtue of an utmost humility .

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City Planning According to Artistic Principles |

In it art and beauty are no more. Buildiny new broad streets are laid out on the periphery of the city where dense traffic is never likely to develop, the old city center remains forever congested. A single family living in the country can scarcely …. Where are they now?

The design, functioning and future of urban situations is explored in written, drawn and modelled work which builds on the legacy of twentieth century urban theory and is directed towards the development of sustainable cities.

This is the matter of tree-lined avenues and gardens. By referencing Rome he outlines how some 6 out of churches sit on their own, a striking difference.

Camillo Sitte

It concentrates on plumbing, hygiene, and the vehicle as the important elements, the public are seen more of a secondary if not tertiary component of the city. Nowhere can the bankruptcy of all artistic feeling and tradition be more clearly perceived than here.

Manuel de Sola Morales. Today such a masterpiece of city planning as the Acropolis of Athens is simply unthinkable. For Sitte, the most important aspect of civic buildings was not the architectural form of the buildings themselves but rather their how their form, characteristics, and deployment as building blocks contributed to the character and quality of urban spaces.

Colin Fragar 29 November at Every hundred steps they have to leave the sidewalk in order to cross another street, and they cannot be careful enough in looking to the right and left for vehicles which may be coming along every which way. Modernist movements rejected these thoughts and Le Corbusier is known for his energetic dismissals of the work.


City Building According To Artistic In plan such priniples plaza appears, of course, to be nicely regular, but what cify the consequence in reality? Artistically speaking, not one of them is of any interest, for in their veins pulses not a single drop of artistic blood. It is above all the enormous size to which our larger cities are growing that has shattered the framework of traditional artistic forms at every point.

This is reasonable because a street seldom crosses there, and even simple street openings are relatively infrequent. He makes a study of the spatial structures of the cities, cxmillo, monuments, and confronts the living beauty and creativity of the most ancient ones with the buliding of the new cities.

His principle and theory for planning a city is really great. Sundry curves, twisted streets and irregularities would have to be included artificially in the plan; an affected artlessness, a siyte unintentionalness. Follow any comments here with the RSS feed for this post.

Sitte thought that the use of a grid led to inefficiency and hierarchically placed a critical element of town planning at the bottom of the list, public open space. This opening of just one street into a second usually a broader and more important one is the most common case in old towns, and at the same time the most advantageous for traffic.

Photographs are always of winter views, so that important architecture is at least partly visible between the bare branches; in fact, a drawing is frequently preferred to a photograph because with the former any disturbing trees can be left out entirely. September Learn how and when to remove this template message.

Without doubt they constitute an important hygienic factor, and they also afford the undeniable charm of landscape elements in the middle of a big city and, occasionally, a splendid contrast between groups of trees and architecture. He similarly criticized the regular, obsessive order of contemporary plazas being built by contrasting them to the irregularity of those of the medieval city.


It is truly a garden for the relaxation of the owner, and it is a blessing for all the surrounding interior apartments which thereby receive better air, daylight, and a pleasant view into the greenery. In preparing his work, Sitte travelled extensively to study the spatial structures of then-contemporary city plazas of his own native Vienna, in Paris, Salzburg, Rothenburg on the Tauber, Dresden, and dozens of other European cities, carefully sketching their physical planimetrics, elevations of their significant buildings, and placement of statues, fountains and other monuments within those spaces.


This type of plaza, along with its safety island and gas light or columnar monument, found its earliest manifestation in Paris …Fig. There is method in this madness.

The life of the common people has for centuries been steadily withdrawing from public squares, and especially so in recent times. That this schism between the old and the new approach also occurs in the field of horticulture allows us now to recapitulate.

The building of another Acropolis would become impossible, not only because of the financial means, but also the lack of the basic artistic generating thought; He stated that an urban planner should not be too concerned with the small design.

It is the more remarkable because this very arrangement has long been condemned from the point of view of traffic; Baumeister contains all that has been said to date on the matter. The rectangular city block prevailed here to such a degree that even street names were considered superfluous, the city blocks being designated merely by letters in one direction and by numbers in the other.

Sandbox Autofocus Hosted by ethz Blogs. Just as for monuments, we have no proper place for trees. One could not believe it humanly possible that an idea of such really oppressive ugliness, of such appalling tediousness, and of such a labyrinthine lack of orientation would actually be carried out.

However Sitte believes that churches within a square should sit not in isolation, rather on the contrary, as part of the perimeter.